|
|
The Grid
|
|
|
|
|
14:56 |
69
|
|
|
Prophecies
|
|
|
|
|
8:11 |
69
|
|
|
Koyaanisqatsi
|
|
|
|
|
3:32 |
68
|
|
|
Pruit Igoe
|
|
|
|
|
7:03 |
68
|
|
|
Cloudscape
|
|
|
|
|
4:40 |
67
|
|
|
Vessels
|
|
|
|
|
8:06 |
67
|
|
|
Resource
|
|
|
|
|
6:37 |
65
|
|
|
Organic
|
|
|
|
|
7:44 |
65
|
|
|
Knee 2
|
|
|
|
|
6:08 |
9
|
|
|
Dance 1
|
|
|
|
|
15:48 |
8
|
|
|
Dance 2
|
|
|
|
|
20:01 |
8
|
|
|
Trial 2 / Prison: Prematurely Air-Conditioned Supermarket
|
|
|
|
|
12:16 |
8
|
|
|
Knee 1
|
|
|
|
|
8:01 |
7
|
|
|
Night Train
|
|
|
|
|
20:05 |
7
|
|
|
Building
|
|
|
|
|
10:18 |
7
|
|
|
Spaceship
|
|
|
|
|
12:48 |
7
|
|
|
Knee 3
|
|
|
|
|
6:28 |
7
|
|
|
Knee 4
|
|
|
|
|
7:03 |
7
|
|
|
Train 1
|
|
|
|
|
21:20 |
7
|
|
|
Knee 5
|
|
|
|
|
8:02 |
7
|
|
|
Trial 1: Entrance
|
|
|
|
|
5:42 |
7
|
|
|
Trial 1: Mr. Bojangles
|
|
|
|
|
16:29 |
7
|
|
|
Trial 1: All Men Are Equal
|
|
|
|
|
4:30 |
7
|
|
|
Bed: Cadenza
|
|
|
|
|
1:53 |
7
|
|
|
Bed: Prelude
|
|
|
|
|
4:23 |
7
|
|
|
Bed: Aria
|
|
|
|
|
8:12 |
7
|
|
|
Trial 2 / Prison: Ensemble
|
|
|
|
|
6:37 |
7
|
|
|
Trial 2 / Prison: I Feel The Earth Move
|
|
|
|
|
4:09 |
7
|
|
Naqoyqatsi
|
|
|
|
|
7:54 |
3
|
|
Primacy of Number
|
|
|
|
|
6:50 |
3
|
|
Massman
|
|
|
|
|
9:45 |
3
|
|
New World
|
|
|
|
|
3:03 |
3
|
|
Religion
|
|
|
|
|
8:59 |
3
|
|
Media Weather
|
|
|
|
|
7:52 |
3
|
|
|
Music With Changing Parts
|
|
|
|
|
61:40 |
3
|
|
|
Train to São Paulo
|
|
|
|
|
3:04 |
3
|
|
|
Act II
|
|
|
|
|
16:24 |
2
|
|
|
Act III
|
|
|
|
|
19:18 |
2
|
|
|
Anthem-Part 3
|
|
|
|
|
8:11 |
2
|
|
|
From Egypt
|
|
|
|
|
3:22 |
2
|
|
|
Mosque and Temple
|
|
|
|
|
4:41 |
2
|
|
|
Mr. Suso #1
|
|
|
|
|
1:07 |
2
|
|
|
Mr. Suso #2 with Reflection
|
|
|
|
|
1:18 |
2
|
|
|
Powaqqatsi
|
|
|
|
|
4:34 |
2
|
|
|
Serra Pelada
|
|
|
|
|
5:01 |
2
|
|
|
That Place
|
|
|
|
|
4:40 |
2
|
|
|
The Unutterable
|
|
|
|
|
7:01 |
2
|
|
|
Video Dream
|
|
|
|
|
2:14 |
2
|
|
|
Rubric
|
|
|
|
|
6:24 |
2
|
|
Facades
|
|
|
|
|
6:10 |
2
|
|
Closing
|
|
|
|
|
5:58 |
2
|
|
|
Northern Tibet
|
|
|
|
|
3:21 |
2
|
|
|
Opening
|
|
|
|
|
2:15 |
2
|
|
|
Living Waters
|
|
|
|
|
3:51 |
2
|
|
|
Floe
|
|
|
|
|
6:05 |
2
|
|
|
Chinese Invade
|
|
|
|
|
7:05 |
2
|
|
|
Projector
|
|
|
|
|
2:05 |
2
|
|
|
Reting's Eyes
|
|
|
|
|
2:17 |
2
|
|
|
Island
|
|
|
|
|
7:39 |
2
|
|
|
Perpetual Motion
|
|
|
|
|
5:34 |
2
|
|
|
A Gentleman's Honor (Instrumental)
|
|
|
|
|
3:22 |
2
|
|
Old World
|
|
|
|
|
3:08 |
2
|
|
Intensive Time
|
|
|
|
|
8:07 |
2
|
|
Point Blank
|
|
|
|
|
11:14 |
2
|
|
The Vivid Unknown
|
|
|
|
|
7:06 |
2
|
|
Definition
|
|
|
|
|
2:52 |
2
|
|
|
Escape to India
|
|
|
|
|
10:02 |
2
|
|
|
Dark Kitchen
|
|
|
|
|
1:33 |
2
|
|
|
Sand Mandala
|
|
|
|
|
4:05 |
2
|
|
Victor's Lament
|
|
|
|
|
3:37 |
2
|
|
|
Caravan Moves Out
|
|
|
|
|
2:56 |
2
|
|
|
Potala
|
|
|
|
|
1:29 |
2
|
|
River Run
|
|
|
|
|
1:54 |
2
|
|
|
The Beginning
|
|
|
|
|
4:10 |
2
|
|
Are Years What? (For Marianne Moore)
|
|
|
|
|
4:02 |
2
|
|
|
New Cities in Ancient Lands, India
|
|
|
|
|
4:41 |
2
|
|
|
New Cities in Ancient Lands, Africa
|
|
|
|
|
2:55 |
2
|
|
|
Lhasa at Night
|
|
|
|
|
1:59 |
2
|
|
|
Anthem-Part 2
|
|
|
|
|
|
2
|
|
|
Lord Chamberlain
|
|
|
|
|
2:44 |
2
|
|
|
Norbu Plays
|
|
|
|
|
2:12 |
2
|
|
|
Choosing
|
|
|
|
|
2:14 |
2
|
|
|
Anthem - Part 1
|
|
|
|
|
6:21 |
2
|
|
|
New Cities in Ancient Lands, China
|
|
|
|
|
2:47 |
2
|
|
|
CAUGHT!
|
|
|
|
|
7:19 |
2
|
|
Ave
|
|
|
|
|
4:44 |
2
|
|
|
Norbulingka
|
|
|
|
|
2:16 |
2
|
|
|
The Ark
|
|
|
|
|
4:33 |
2
|
|
|
The Garden
|
|
|
|
|
4:36 |
2
|
|
|
The Journey
|
|
|
|
|
1:49 |
2
|
|
|
The Witness
|
|
|
|
|
4:15 |
2
|
|
Ange Des Orages
|
|
|
|
|
3:42 |
2
|
|
Lady Day
|
|
|
|
|
4:00 |
2
|
|
Montage
|
|
|
|
|
2:27 |
2
|
|
|
Mon Père, Mon Père
|
|
|
|
|
|
2
|
|
Ik-Ook
|
|
|
|
|
4:16 |
2
|
|
|
Act I - Tolstoy - Scene 1: The Kuru Field of Justice
|
|
|
|
|
18:47 |
2
|
|
|
Act I - Tolstoy - Scene 2: Tolstoy Farm (1910)
|
|
|
|
|
11:00 |
2
|
|
|
Act I - Tolstoy - Scene 3: The Vow (1906)
|
|
|
|
|
11:40 |
2
|
|
|
étoile polaire (north star)
|
|
|
|
|
2:38 |
2
|
|
|
Act I: A Gentleman's Honor (Vocal)
|
|
|
|
|
3:17 |
2
|
|
|
Act II - Tagore - Scene 1: Confrontation And Rescue
|
|
|
|
|
14:44 |
2
|
|
|
Act II - Tagore - Scene 2: "Indian Opinion"
|
|
|
|
|
11:32 |
2
|
|
|
Act II - Tagore - Scene 3: "Protest"
|
|
|
|
|
15:16 |
2
|
|
|
Fish
|
|
|
|
|
2:11 |
1
|
|
|
Distraught
|
|
|
|
|
2:59 |
1
|
|
|
Thirteenth Dalai Lama
|
|
|
|
|
3:25 |
1
|
|
|
Move to Dungkar
|
|
|
|
|
5:05 |
1
|
|
|
Emigration
|
|
|
|
|
1:51 |
1
|
|
|
Explosives
|
|
|
|
|
2:35 |
1
|
|
|
Winnie Remembers
|
|
|
|
|
3:16 |
1
|
|
|
Secret Agent
|
|
|
|
|
4:50 |
1
|
|
|
Verloc and the Russian Embassy
|
|
|
|
|
5:12 |
1
|
|
|
Ossipon Is Tempted
|
|
|
|
|
3:08 |
1
|
|
|
Winnie?
|
|
|
|
|
5:44 |
1
|
|
|
The First Meridian
|
|
|
|
|
3:19 |
1
|
|
|
Trust
|
|
|
|
|
3:46 |
1
|
|
|
All The Money
|
|
|
|
|
1:21 |
1
|
|
|
Simple
|
|
|
|
|
2:42 |
1
|
|
|
Roast Beef
|
|
|
|
|
2:31 |
1
|
|
|
Safe Journey
|
|
|
|
|
4:14 |
1
|
|
|
Blood On The Stairs
|
|
|
|
|
1:41 |
1
|
|
|
Secret Agent Ending
|
|
|
|
|
3:08 |
1
|
|
|
Act III - King - Newcastle March (1913) - Part 1
|
|
|
|
|
15:35 |
1
|
|
|
Act III - King - Newcastle March (1913) - Part 2
|
|
|
|
|
16:05 |
1
|
|
|
Winnie Goes to the Sea
|
|
|
|
|
2:40 |
1
|
|
|
Act III - King - Newcastle March (1913) - Part 3: Evening Song
|
|
|
|
|
8:24 |
1
|