• Jerry Goldsmith's CONGO (COMPLETE SCORE) by Intrada

    10 jan 2013, 02:50 av wOoDy__


    Label: Intrada Special Collection Volume 220
    Date: 1995
    Tracks: 31
    Time = 62:49

    Wow! World premiere of complete Jerry Goldsmith score for Frank Marshall film from Micheal Chrichton thriller with Laura Linney, Dylan Walsh. Original album produced by Goldsmith only featured about 23 minutes of score plus ten minutes of admittedly dynamic African choral material. But that left out virtually half of magnificent score. Goldsmith's approach to thriller offers some of his most riveting action music of the nineties. Intrada presentation includes everything composer recorded, including two versions of rich "Deep Jungle", in which version recorded specifically for album deleted tense snake sequence. Standing out in new tracks are thrilling action cues: powerful Rambo style "Meet Monroe Kelly" airport escape cue, intense "Help Me" where Tim Curry meets his violent end. Other new cues include two versions of mysterious "The Ghost Tribe", "Meet Amy" sequence with alternating thrills, tenderness. Alternates plus "Villagers Chant" written by James Newton Howard & Lebo M complete 62-minute program. Entire score mastered from original digital two-track session masters, vaulted at Paramount, stunningly recorded, mixed by Bruce Botnick. Packaging features both original Epic Soundtrax label album cover plus exciting "flipper" cover. Jerry Goldsmith conducts. Intrada Special Collection release available while quantities and interest remains!

    The Album
    01. Spirit Of Africa/The Expedition* 2:42 Hear This Track
    02. Zinj 1:17
    03. The Eye 0:24
    04. Meet Amy 2:43 Hear This Track
    05. Something I Lost (Alternate) 0:29
    06. Meet Monroe Kelly 1:39 Hear This Track
    07. Road Block 0:39
    08. Crossing The Border 1:29
    09. Bail Out* 2:58 Hear This Track
    10. No Customs* 1:49 Hear This Track
    11. Deep Jungle - Picture 1:59 Hear This Track
    12. The Ghost Tribe - Revised 2:04 Hear This Track
    13. The Rapids 0:39
    14. The Symbol 0:47
    15. Hippo Attack* 2:26
    16. The Other Side - Revised 1:17
    17. Crash Site* 1:59
    18. Sad Amy 0:37
    19. Gates Of Zinj* 4:03 Hear This Track

    20. Help Me 2:18 Hear This Track
    21. We Are Watching 1:49
    22. The Mine 0:53
    23. Amy's Nightmare* 2:11
    24. Kahega* 2:18 Hear This Track
    25. Amy's Farewell/Spirit Of Africa/End Credits* 10:29 Hear This Track
    Total Album Time: 52:45

    The Extras
    26. Something I Lost 0:20
    27. Deep Jungle - Album* 2:33
    28. The Ghost Tribe 1:21
    29. The Other Side 1:20
    30. The Collapsed City 2:21
    31. The Villagers Chant (James Newton Howard/Lebo M) 1:50
    Total Extras Time: 9:58
    * Original Album Track
  • Jerry Goldsmith's HOOSIERS (Complete Score) by Intrada

    19 dec 2012, 05:00 av wOoDy__

    Label: Intrada Special Collection Volume 226
    Date: 1986
    Tracks: 17
    Time = 59:48


    At last! Long-awaited world premiere complete presentation of endearingly popular Academy Award-nominated score by Jerry Goldsmith to endearingly popular sports drama starring Gene Hackman, directed by David Anspaugh, written by Angelo Pizzo. Goldsmith score originates on wonderful LP with duration of 39 minutes but never appears on CD in U.S. International releases (some under U.K. title Best Shot) all have same contents as original LP. Goldsmith emphasizes rousing basketball music but, interestingly, omits several more serious ideas from his album, including one important theme represented only in this new complete version. Titled "No More Basketball", saddened cue offers haunting tune for woodwinds, strings and actually appears twice in finished film. Another important new cue is "Someone I Knew", featuring serious solo line for cello over strings as Coach Dale (Hackman) confesses tragic mistake in his past. Rich piece is darkest moment in score and brings entirely new level to Goldsmith's impressive score. Also find for first time transparent, delicate piece ("The Gym") underscoring small town team's first sights at big-time gymnasium plus rousing orchestral fanfare ("Free Shot") for regional finals. Several other new cues add additional depth as well. Goldsmith was fond of his score, even creating a couple of beautiful longer cues out of shorter ones for his original album. We have retained those assemblies while otherwise presenting complete score in picture sequence. The best of both worlds! Highlights abound in this moving musical slice of Americana but unforgettable trumpet solo playing main theme for opening & closing of score stands front & center. Intrada proudly presents entire score from actual digital session masters combining mixing talents of two legendary engineers: Mike Ross, Bruce Botnick. Project took years to develop, finally came together through courtesy of both MGM, Universal Music. A definitive presentation of one of Goldsmith's most beloved works! Jerry Goldsmith conducts. Intrada Special Collection available while quantities and interest remains
  • LaLaLand Records to release expanded 3CD Star Trek: The Motion Picture soundtrack

    25 maj 2012, 17:31 av wOoDy__


    Discs 1 and 2 include the score for the film’s theatrical release and premiere the early rejected cues that Goldsmith composed early on in the scoring process. The 1979 original LP soundtrack follows, much of which was performed and edited differently than the actual film cues. This program concludes the second disc, with Disc 3 presenting additional alternates (including those heard on the previous Sony expanded CD release of 1999, Columbia C2K 66134) and yet more bonus material. Among the highlights are early takes of the “Main Title” (including extensive stage chatter), isolated segments featuring Craig Huxley’s “blaster beam” and synthesizer effects, the domestic CD debut of jazz artist Bob James’ disco cover version of Goldsmith’s theme plus Shaun Cassidy’s vocal version of the movie’s love theme, “A Star Beyond Time.” Tireless co-producer Mike Matessino and film historian Jeff Bond contribute new liner notes based on interviews with Botnick, Huxley, session violinist (and a distinguished composer in his own right) David Newman and the late Goldsmith. The clamshell packaging and 40-page full color booklet have been designed by Jim Titus.

    This expansive set, a limited edition of 10,000 units, will be available directly from La-La Land Records beginning on June 5. Los Angeles-based fans, however, might want to consider attending a very special evening on June 4. Hollywood’s Arclight Cinemas (coincidentally, next door to Amoeba Music!) will host Jeff Bond as moderator of a 90-minute panel discussion about the music of ST: TMP. Currently scheduled guests include Bruce Botnick, Craig Huxley, David Newman, Mike Matessino and the film’s Director of Photography, Richard H. Kline! Botnick and Huxley will be on hand to sign copies of the CD at the special pre-release price of $30.00, and a screening of the original film’s Director’s Cut will follow the panel discussion and signing. Event tickets are $17.50 and are available for purchase here. Tickets will be available at the door for $20.00. The full track listing, revealed at trekmovie.com, follows!

    Jerry Goldsmith, Star Trek: The Motion Picture (Columbia Records JS-36334, 1979 – reissued La-La Land LLLCD 1207, 2012)

    CD 1: The Film Score

    Overture (1:43)
    Main Title / Klingon Battle (7:01)
    Total Logic (3:54)
    Floating Office (1:08)
    The Enterprise (6:02)
    Malfunction (1:30)
    Goodbye Klingon / Goodbye Epsilon Nine / Pre-Launch (2:10)
    Leaving Drydock (3:32)
    TV Theme / Warp Point Eight (0:50)
    No Goodbyes (0:53)
    Spock’s Arrival (2:03)
    TV Theme / Warp Point Nine (1:49)
    Meet V’Ger (3:06)
    The Cloud (5:05)
    V’Ger Flyover (5:01)
    The Force Field (5:07)
    Micro Exam (1:13)
    Games / Spock Walk (9:51)
    System Inoperative (2:03)
    Hidden Information (3:58)
    Inner Workings (4:04)

    CD 2: The Film Score (Tracks 1-3), The Unused Early Score (Tracks 4-10), The 1979 Album (Tracks 11-19)

    V’Ger Speaks (4:04)
    The Meld / A Good Start (5:37)
    End Title (3:16)
    The Enterprise (6:05)
    Leaving Drydock (2:39)
    No Goodbyes (0:55)
    Spock’s Arrival (2:00)
    Micro Exam (1:15)
    Games (3:49)
    Inner Workings (4:43)
    Main Title / Klingon Battle (6:50)
    Leaving Drydock (3:29)
    The Cloud (5:00)
    The Enterprise (5:59)
    Ilia’s Theme (3:00)
    Vejur Flyover (4:56)
    The Meld (3:15)
    Spock Walk (4:17)
    End Title (3:16)

    CD 3: Alternates (Tracks 1-16), Additional Music (Tracks 17-25)

    Overture (Long Version) (2:50)
    Main Title (Alternate Take) (1:44)
    Total Logic (Alternate Take) (3:49)
    Malfunction (Early Take) (1:28)
    Goodbye Klingon (Alternate Take) (0:35)
    No Goodbyes (Alternate Take) (0:53)
    Spock’s Arrival (Alternate Take) (2:01)
    The Force Field (Alternate Take) (5:04)
    Micro Exam (Alternate Take) (1:14)
    Games (Early Synthesizer Version) (3:48)
    Games (Alternate Take) (3:48)
    Inner Workings (Alternate Take) (4:05)
    V’Ger Speaks (Alternate Take) (4:03)
    The Meld (Film Version) (3:16)
    A Good Start (Discrete) (2:27)
    Main Title (Album Take) (1:44)
    Main Title (First Raw Takes) (7:21)
    The Force Field / The Cloud (Excerpts) (2:33)
    Beams and Synthesizer for V’ger (4:04)
    Beams and Synthesizer for Ilia (0:59)
    Synthesizer for Main Theme (1:44)
    Main Theme From Star Trek: The Motion Picture (Bob James) (5:24)
    A Star Beyond Time (Shaun Cassidy) (2:43)
    Ilia’s Theme (Alternate) (3:33)
    Theme From Star Trek: The Motion Picture (Concert Edit) (3:25)
  • My new Rock-Band - Gold Plaque

    20 maj 2012, 20:02 av Sax-Moryson

    Please check my new Rock Band Gold Plaque ,

    Gold Plaque – Eine neue Rockband aus dem Label Sax & Moryson - gegründet im April/Mai 2012 in Essen City. Gold Plaque – spricht für mehr oder weniger aggressiven Full (hard) Rock - hier eine Aufnahme aus der Probe, unperfeckt, aber der Sound kommt schon gut rüber - Gold Plaque – Blue Energy (Instrumental) (3:03), es gab schon eine längere Gesangsversion im letzten Livekonzert mit schönne Solosplays von Micky Sax. Alles unter CC-Lizenz 3.0 Germany (CC BY-NC-ND 3.0) - Played and composed by Mickey Sax & Anke Gina Moryson - http://www.lastfm.de/music/Gold+Plaque ,

    English . :

    Gold Plaque - A new rock band from the label Sax & Moryson - founded in April / May 2012Essen City/ Germany. Gold Plaque - suggests that more aggressive or less full (hard) rock - here's a recording from the sample, unperfeckt, but the sound is already well over - Gold Plaque - Blue Energy (Instrumental) (3:03), there was already a longer vocal version of the last live concert of Mickey Sax Plays solo , all under CC License 3.0 Germany (CC bY-NC-ND 3.0) - Played saxophone and composed by Mickey & Anke Gina Moryson - http://www.lastfm.de/music/Gold+Plaque ,
  • Explorers (Jerry Goldsmith)

    6 sep 2011, 00:27 av wOoDy__


    15 apr 2011, 21:59 av wOoDy__




    La-La Land Records and Sony Music proudly present the expanded, 2CD presentation of legendary composer Jerry Goldsmith's (PATTON, THE OMEN, BASIC INSTINCT) powerful orchestral score to the 1995 Columbia Pictures feature film FIRST KNIGHT, starring Sean Connery, Richard Gere and Julia Ormond, directed by Jerry Zucker. Considered by many, including the maestro himself, to be one of Goldsmith's finest scores, this important work, (presented in its film version for the first time), has been expanded over the original soundtrack release by more than a full hour, including additional alternate tracks. The original 1995 soundtrack release is also presented here, remastered. Produced by Bruce Botnick, Mike Matessino and Didier C. Deutsch, and mastered by Bruce Botnick from Mr. Botnick's own 1st generation digital masters straight from the mixing board, this limited edition release is the definitive presentation of this masterful Goldsmith score. Exclusive, in-depth liner notes are by film music writer Jeff Bond, with additional comments from Bruce Botnick. This is a limited edition release of 5000 Units.


    Disc 1

    The Film Score

    The Legend Of Camelot :58
    Raid On Leonesse 5:12
    True Love/The Ambush/First Sight 6:24
    Does It Please You/ Look At Me 3:25
    Promise Me 2:20
    Camelot 2:37
    Gauntlet Drums 1:50
    Meet the Queen :45
    The Gauntlet/No Kiss 2:02
    No Joy/Try Her/Wedding Plans/I Will Fight 2:58
    Boat Trip 2:03
    The Cave 2:14
    Walls Of Air 1:33
    Escape From The Cave 3:25
    Prove It 2:55
    A New Life 5:38
    To Leonesse 3:24
    Night Battle 5:53
    Village Ruins 3:19
    The Kiss 1:59
    Open The Door/No One Move 1:58
    Arthur’s Farewell 5:25
    Never Surrender 5:40
    Camelot Lives 4:04

    Disc 1 Time: 78:50

    Disc 2

    The 1995 Soundtrack Album

    Arthur's Fanfare 0:45
    Promise Me 4:04
    Camelot 2:19
    Raid On Leonesse 4:26
    A New Life 4:54
    To Leonesse 3:25
    Night Battle 5:39
    Village Ruins 3:20
    Arthur’s Farewell 5:25
    Camelot Lives 5:40

    1995 Soundtrack Time: 40:17

    Additional Music

    The Ambush / First Sight (alternate) 5:46
    Boat Trip (alternate segment) 1:05
    A New Life (alternate 1) 5:37
    A New Life (alternate 2) 3:14
    To Leonesse (alternate) 2:40
    Village Ruins (alternate) 3:29
    Never Surrender (alternate) 5:20

    Additional Music Time: 27:29

    Disc 2 Time: 67:53

    RETAIL PRICE: $29.98
  • Gremlins CD In The Works From FSM

    20 mar 2011, 19:59 av wOoDy__

    Gremlins CD In The Works From FSM

    It is no surprise to hear that the film music labels have been trying their hardest to release a proper soundtrack album to Jerry Goldsmith's wildly popular 1984 score to the box office smash Gremlins. The original Geffen album had a meagre 15 minutes from the score plus a handful of songs. Since the AFM relaxed their policy on re-use fees for limited edtion CD releases and the studios have allowed access to their vaults Gremlins has been a hot property on the top of most label's lists. But no one knew if and when this might happen. Now we have a reveal by SAE on Facebook that a CD would be released "sometime this year". The fireworks went off and party poppers were pulled. But Lukas Kendall at FSM has countered this by saying on his message board that there are still "some major licensing issues to be resolved" between Warner Brothers and Universal Music, who control the Geffen catalogue. And he cannot say how long it will take.

    Our fingers are crossed that 2011 will see the dream full release of one of Jerry Goldsmith's most requested scores. At least we know it will be handled by one of the finest - FSM. Good luck Lukas and all involved in making this score CD a reality.
  • LINK (Jerry Goldsmith) - Intrada Special Collection Volume

    20 mar 2011, 19:46 av wOoDy__


    Label: Intrada Special Collection Volume 158
    Date: 1986
    Tracks: 11
    Time = 39:26

    Original soundtrack from Richard Franklin horror thriller about chimp experiment gone awry, starring Terence Stamp, Elisabeth Shue. Jerry Goldsmith writes for orchestra in exciting fashion, then adds spunk with electronic drums, keyboards. Results are fresh, tongue-in-cheek, scary. Intrada presents same 1986 album produced by Goldsmith & Mike Ross as originally available on Varese Sarabande label, from same PCM 1610 two-track digital master, courtesy StudioCanal. Contents are identical. Goldsmith produced solid, crisp-sounding album covering all of his major highlights in a perfect presentation. Fans that missed earlier opportunity to obtain 1986 pressing can now enjoy this ultra-rare action treat without having to pay astronomical secondary market prices! Enhanced cover art, informative liner notes from Jeff Bond complete package. Jerry Goldsmith conducts National Philharmonic Orchestra. Intrada Special Collection release limited to 2000 copies! SOLD OUT!
  • FSM release The Homecoming: A Christmas Story / Rascals and Robbers (1971-1982)

    20 mar 2011, 19:37 av wOoDy__

    The Homecoming: A Christmas Story / Rascals and Robbers (1971-1982)

    Composed by: James Horner, Jerry Goldsmith

    View CD Page at FSM Site (More Details)

    The repertoire of outstanding film music composed over the past eight decades includes a wide variety of significant contributions in a style that might loosely be called “Americana.” FSM combines two such scores—both previously unavailable in any format—on this single CD.
    Fans have long desired a release of Jerry Goldsmith’s folksy, intimate music for The Homecoming: A Christmas Story—a 1971 television movie which led to the popular series, The Waltons. Patricia Neal and Richard Thomas starred in the heart-warming story of a rural family’s Christmas in 1933. Although the film was made quickly and on a limited budget, Goldsmith pinpointed the emotional core of the drama with a number of memorable themes. Sometimes lyrical and sometimes suspenseful, the music is consistently direct and captures the child-like sense of wonder that permeates the film. The composer arranged his score for a small orchestra that featured a core group consisting of two guitars, harmonica, accordion, recorder and harp.

    For this premiere CD release, the complete score (including some passages that were cut from the film) has been mastered from ¼" monaural tapes in the CBS Inc. Film and Television Collection at UCLA Performing Arts Special Collections.

    CBS premiered Rascals and Robbers: The Secret Adventures of Tom Sawyer and Huck Finn (1982) just over a decade later. It featured Mark Twain’s iconic characters in a new story involving con men and gullible townspeople. Dismissed by critics as a “kiddy movie,” it is best remembered today for its highly enjoyable score by a young James Horner, completed mere days before he began work on his breakout success, Star Trek II: The Wrath of Khan.

    Horner recorded his music with a 37-piece orchestra at CBS’s Radford Facility—possibly the budding composer’s first experience on a soundstage. From the eerie sound of bass harmonica which colors the villain’s galloping, minor mode material, to the buoyantly optimistic and uplifting theme for Tom Sawyer, the score bursts with energy and fresh ideas. Astute listeners will note some of the composer’s musical trademarks already surfacing in this early effort. The complete score is newly remixed and mastered in glorious stereo from ½" three-track masters in the CBS collection at UCLA.

    FSM augments its CD of these two homespun classics with a 20-page booklet containing essays and track-by-track analyses for both productions (by Jeff Eldridge and Frank K. DeWald) as well as a brief history of Goldsmith’s work for The Waltons.
  • Poltergeist (1982) - FMS

    20 mar 2011, 19:29 av wOoDy__


    Price: $24.95
    Limited #: 10000
    View CD Page at SAE Store

    Line: Silver Age
    CD Release: December 2010
    Catalog #: Vol. 13, No. 18
    # of Discs: 2

    Jerry Goldsmith was at the peak of his phenomenal powers when he scored Poltergeist, Steven Spielberg’s 1982 film about paranormal activity. With this 2CD set, FSM presents the definitive edition of one of Goldsmith’s finest and most popular works—including the complete film score on Disc 1 and the original LP soundtrack album (along with a few previously unreleased bonus cues and alternates) on Disc 2.
    Poltergeist was produced by Spielberg and directed by Tobe Hooper (The Texas Chainsaw Massacre). Set in a fictional Southern California development, it tells the harrowing tale of a typical suburban family whose home is invaded by demonic spirits. It blends elements from previous Spielberg films in a new mix that is part sci-fi, part horror, and part contemporary thriller—all genres in which Jerry Goldsmith excelled.

    Goldsmith’s score flows effortlessly between hard-core, dissonant modernism and some of the most lyrical, humanistic music he ever wrote. It is both a marvel of musical construction and a visceral listening experience. Composed over an uncharacteristically long period of fifteen weeks, the music for Poltergeist evokes both child-like simplicity and sheer terror. The complete presentation of the score on Disc 1 includes several passages that were not used in the film.

    Mike Matessino restored Goldsmith’s Poltergeist score from the three-track stereo film mixes for this release; Bruce Botnick, the film's original recording supervisor, did the digital mastering. The deluxe 28-page booklet features an informative and perceptive essay on the film and score—incorporating remarks by the composer—and a complete cue-by-cue analysis by Matessino.

    As a bonus, disc 2 also includes the re-recorded suite of cues (including one previously unreleased) from Goldsmith’s The Prize (1963). Originally recorded for MGM LP, four of these tracks were included on FSM’s CD of the complete score (FSMCD Vol. 5, No. 16), but all five have now been remixed for superior sound quality from newly-discovered ½” three-track masters.

    The CD booklet also includes a personal reminiscence from Bruce Botnick about the 1982 Poltergeist recording sessions, as well as the original LP notes by Steven Spielberg. In the legendary producer’s words, “Jerry’s music conjures many classical impressions of ferocious drive and at the same time, cathedral beauty. So…let the imagination wander. Pleasant dreams.”